–text-color: #FFFFFF;
}
]]>
Support Independent Arts Journalism
As an independent publication, we rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, consider becoming a member today.
Already a member? Sign in here.
From 11am to 3pm on Sunday, October 12, Northern Cheyenne artist Bently Spang will present Tekcno Powwow Jr.2 : To the Second Power, a multidisciplinary work of performance art, on Rutgers’ Voorhees Mall in New Brunswick, New Jersey. Free and open to the public, it’s a scaled-down version of his innovative Tekcno Powwow series, which first launched in 2004. The series blends powwow traditions with contemporary cultural expressions like breakdancing and hip-hop music, creating a dynamic fusion that explores how different traditions influence each other through artistic performance.
Bently Spang, an internationally recognized artist, curator, educator, and writer, is known for challenging stereotypes and deconstructing romanticized myths about Native peoples, particularly the false narratives surrounding “The West.” As an enrolled member of the Tsitsistas/Suhtai Nation (Northern Cheyenne), he uses a range of media — including video, performance, installation, sculpture, and photography — to express contemporary Indigenous identity and contest dominant historical narratives. His work has been exhibited globally.
The October 12 performance at Rutgers coincides with the Zimmerli’s exhibition Indigenous Identities: Here, Now & Always, curated by the renowned late artist Jaune Quick-to-See Smith (Confederated Salish and Kootenai Nation). Marking the largest curatorial project of her 60-year career, it presents the most expansive showcase of contemporary Native American art in museum history. Featuring 97 living artists that represent over 74 Indigenous nations and communities from across North America, the show emphasizes the significance of identity in Indigenous art and affirms its rightful place in the contemporary art canon.
Together, Spang’s performance and the exhibition at the Zimmerli Art Museum highlight the vibrancy, complexity, and ongoing evolution of Native American cultural expression in the art world today.
To learn more and RSVP, visit zimmerli.rutgers.edu.
The Zimmerli’s operations, exhibitions, and programs are funded in part by Rutgers, the State University of New Jersey, and income from the Avenir Endowment Fund and the Andrew W. Mellon Endowment Fund. Additional support comes from the New Jersey State Council on the Arts, a partner agency of the National Endowment for the Arts, Bloomberg Philanthropies, and the donors, members, and friends of the museum.
Generous support for bilingual text was provided by Art Bridges Foundation’s Access for All program.
Grant funding has been provided by the Middlesex County Board of County Commissioners through a grant award from the Middlesex County Cultural and Arts Trust Fund.