A senior ministerial aide said AI companies will never have to compensate creatives for using their content to train their systems, in a statement that has alarmed campaigners demanding Labour delivers a fairer deal for musicians, artists and writers from the tech industry.
Kirsty Innes, recently appointed as a special adviser to Liz Kendall, the secretary of state for science, innovation and technology, said “whether or not you philosophically believe the big AI firms should compensate content creators, they in practice will never legally have to”.
The government is consulting on how creatives should be compensated by AI firms and only last week leading British artists including Mick Jagger, Kate Bush and Paul McCartney urged Keir Starmer to stand up for creators’ human rights and protect their work.
Innes, who used to work at the Tony Blair Institute (TBI) thinktank, has now deleted the statement which she posted to X in February, seven months before she became a ministerial adviser. In the deleted posts, seen by the Guardian, she said: “A lot of this has already happened and it can continue to happen outside the UK, whatever our laws say.”
She added: “This might be a bitter pill to swallow for some.”
TBI has received donations from the Oracle tech billionaire Larry Ellison, which reached $270m (£210m) last year. Oracle is a backer of the $600bn Stargate project to build AI infrastructure across the US with OpenAI and SoftBank, the Japanese investment firm.
Labour has been at loggerheads with the UK’s creative community ever since launching a consultation on reforming copyright law, with the preferred option of letting AI companies use copyright-protected work without seeking the owner’s permission – unless they signal a desire to opt out of the process.
Some content creators including the Guardian and the Financial Times have signed deals with OpenAI, the creator of ChatGPT, to licence and monetise their content for use in the San Francisco start-up’s technology.
The government has said requiring creatives to opt out is no longer its preferred option and it has convened working groups – drawn from the creative and AI sectors – to come up with solutions to the issue.
Ed Newton-Rex, founder of Fairly Trained, a non-profit that certifies generative AI companies that respect creators’ rights and a leading campaigner for creatives’ rights, said: “It is alarming that Liz Kendall will be getting advice from someone who seems so bought into big tech’s dreams of upending the UK’s copyright law.”
“I hope she will balance this out with advisers whose views more closely align with those of the general public – who are rightly anxious about the impacts of AI and the power of big tech.”
skip past newsletter promotion
A weekly dive in to how technology is shaping our lives
Privacy Notice: Newsletters may contain information about charities, online ads, and content funded by outside parties. If you do not have an account, we will create a guest account for you on theguardian.com to send you this newsletter. You can complete full registration at any time. For more information about how we use your data see our Privacy Policy. We use Google reCaptcha to protect our website and the Google Privacy Policy and Terms of Service apply.
after newsletter promotion
He said Kendall’s appointment was an opportunity to “reset what had rapidly become a very fractious relationship with the creative industries, driven by its apparent subservience to big tech. This appointment, of someone who has said big AI firms will never have to pay creatives and has echoed big tech’s calls for copyright reform, suggests Liz Kendall may not take that opportunity”.
Innes and Kendall declined to comment.
Beeban Kidron, a cross-bench peer who has mobilised opposition to any relaxation of copyright law, said: “Last week the creatives sent a letter to the PM asking him to explain why the government was breaking human rights law, which clearly states a person’s right to copyright in their scientific and creative work.
“If his government’s policy is to undermine UK citizens human rights, that will be a particularly ironic outcome, for which the creative sector is unlikely to forgive him.”